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A. Clyde Roller Photos, 1968 - 1972

 Sub-Series

Scope and Contents note

From the Fonds:

Photography has always been important to the National Music Camp, and photos exist from the earliest years of the Camp. Beginning in circa 1944, a concerted effort was made each year to fully document camp life. A professional photographer was on site throughout the season, taking high quality, usually staged, photographs. These consisted of group shots of each of the camper cabins, and numerous individual shots of campers and instructors. These photos were developed on-site in the campus darkroom.

The campers at NMC were divided into age groups called Junior, Intermediate and High School. There was also a University contingent from the University of Michigan for many years. The sequence of negatives reflects these divisions. Two other typical divisions are General camp photos and Post-camp photos. General photos are often simply of the High Schoolers who constituted the majority of the campers at NMC, but also include more generic and candid shots of camp life. Post-camp indicates that camp had concluded, and these photos document the routines associated with closing down the camp for the summer.

When the Arts Academy began in the 1962-63 school year, the tradition of photography was continued, and similar high-quality shots were taken of the students. Theses are generally all numbered sequentially, and not divided into the four classes of Freshman, Sophomore, etc. It was around this time that the 4 x 5 large format was supplemented, and then supplanted, by the 120 film medium format, approximately 2.25" x 2.25".

Dates

  • 1968 - 1972

Biographical / Historical

"Archibald Clyde Roller (October 13, 1914 – October 16, 2005) was an American music professor, conductor, and oboist. Roller, a native of Rogersville, Missouri, received his musical education at the Eastman School of Music, graduating in 1941. Roller was the principal oboist with several orchestras: the Oklahoma City Symphony from 1937 to 1939, the Birmingham (Alabama) Symphony from 1940 to 1942, and the Tulsa Philharmonic. He conducted Dallas's Southern Methodist University Orchestra from 1947 to 1948, and from 1948 to 1962 was music director of the Amarillo Symphony Orchestra. He also guest conducted the Boston Symphony Orchestra: Roller and Arthur Fiedler swapped conducting roles on occasion as well, with Fiedler leading the Amarillo Symphony and Roller conducting the Boston Pops Orchestra. He was the resident conductor of the Houston Symphony Orchestra, and the musical director and conductor of the Lansing Symphony Orchestra (Michigan) 1967–1978. Roller was a favorite of New Zealand, having appeared there six times to take the New Zealand Symphony Orchestra on tour, recording with them for television and radio, and also performing with the Royal Christchurch Society in an All-Beethoven concert."

Extent

25 Photographic Prints (6 photos; 3x5"; black & white; photos from contact sheet, Roller in different poses 8 photos; 3x5"; black & white; photos from contact sheet, Roller in different poses contact sheet with 10 photos; 8x10"; black & white; Roller in different poses 3 pages of contact sheets with 12 photos; 8x10"; black & white; Roller in different poses 1 photo; 5x7'; black & white; headshot of Roller 1 photo; 8x10"; black & white; headshot of Roller 1 photo; 8x10"; black & white; Roller conducting 1 photo; 8x10"; black & white; Roller conducting 1 photo; 5x7"; black & white; Roller conducting 2 sheets; 8x10"; black & white; Roller contact sheets in white tux 1 sheet; 8x10"; black & white; Roller contact sheet in black tux)

Language of Materials

English

Repository Details

Part of the Archives of Interlochen Center for the Arts Repository

Contact:
Bonisteel Library
4000 Highway M-137
Interlochen MI 49643 USA
231-276-4384