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Alan Hovhaness Photos, 1964

 Sub-Series

Scope and Contents note

From the Fonds:

Photography has always been important to the National Music Camp, and photos exist from the earliest years of the Camp. Beginning in circa 1944, a concerted effort was made each year to fully document camp life. A professional photographer was on site throughout the season, taking high quality, usually staged, photographs. These consisted of group shots of each of the camper cabins, and numerous individual shots of campers and instructors. These photos were developed on-site in the campus darkroom.

The campers at NMC were divided into age groups called Junior, Intermediate and High School. There was also a University contingent from the University of Michigan for many years. The sequence of negatives reflects these divisions. Two other typical divisions are General camp photos and Post-camp photos. General photos are often simply of the High Schoolers who constituted the majority of the campers at NMC, but also include more generic and candid shots of camp life. Post-camp indicates that camp had concluded, and these photos document the routines associated with closing down the camp for the summer.

When the Arts Academy began in the 1962-63 school year, the tradition of photography was continued, and similar high-quality shots were taken of the students. Theses are generally all numbered sequentially, and not divided into the four classes of Freshman, Sophomore, etc. It was around this time that the 4 x 5 large format was supplemented, and then supplanted, by the 120 film medium format, approximately 2.25" x 2.25".

Dates

  • 1964

Biographical / Historical

Alan Hovhaness (March 8, 1911 – June 21, 2000) was an Armenian-American composer. He was one of the most prolific 20th-century composers, with his official catalog comprising 67 numbered symphonies (surviving manuscripts indicate over 70) and 434 opus numbers. The true tally is well over 500 surviving works since many opus numbers comprise two or more distinct works. The Boston Globe music critic Richard Buell wrote: "Although he has been stereotyped as a self-consciously Armenian composer (rather as Ernest Bloch is seen as a Jewish composer), his output assimilates the music of many cultures. What may be most American about all of it is the way it turns its materials into a kind of exoticism. The atmosphere is hushed, reverential, mystical, nostalgic."

Extent

5 Photographic Prints : 3 - 8" x 10" - b&w print of Hovhaness speaking at microphone 1 - 8" x 10" - b&w print of Hovhaness sitting in chair outside, with unidentified woman sitting below 1 - 8" x 10" - b&w print of Hovhaness sitting at table, taking booklet/magazine from unidentified student

Language of Materials

English

Materials Specific Details

Negative numbers written on prints: C1317, 1964; C1319, 1964; C1349, 1964; 1723;

General

8" x 10" - print of Alan Hovhaness (right) sitting in chair outside, with unidentified woman (left) sitting below 8" x 10" - print of Alan Hovhaness (center) sitting at table, taking booklet/magazine from unidentified student (left)

Repository Details

Part of the Archives of Interlochen Center for the Arts Repository

Contact:
Bonisteel Library
4000 Highway M-137
Interlochen MI 49643 USA
231-276-4384