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James Christian Pfohl Photos

 Sub-Series

Scope and Contents note

From the Fonds:

Photography has always been important to the National Music Camp, and photos exist from the earliest years of the Camp. Beginning in circa 1944, a concerted effort was made each year to fully document camp life. A professional photographer was on site throughout the season, taking high quality, usually staged, photographs. These consisted of group shots of each of the camper cabins, and numerous individual shots of campers and instructors. These photos were developed on-site in the campus darkroom.

The campers at NMC were divided into age groups called Junior, Intermediate and High School. There was also a University contingent from the University of Michigan for many years. The sequence of negatives reflects these divisions. Two other typical divisions are General camp photos and Post-camp photos. General photos are often simply of the High Schoolers who constituted the majority of the campers at NMC, but also include more generic and candid shots of camp life. Post-camp indicates that camp had concluded, and these photos document the routines associated with closing down the camp for the summer.

When the Arts Academy began in the 1962-63 school year, the tradition of photography was continued, and similar high-quality shots were taken of the students. Theses are generally all numbered sequentially, and not divided into the four classes of Freshman, Sophomore, etc. It was around this time that the 4 x 5 large format was supplemented, and then supplanted, by the 120 film medium format, approximately 2.25" x 2.25".

Dates

  • 2018-07-27

Biographical / Historical

James Christian Pfohl (1912 – 1997) was hired by Davidson's College in 1933. He was a recent graduate of the University of Michigan (Bachelor’s of Music, organ) and would go on to earn a Master’s of Music (musicology) from that same university in 1939. Pfohl was instrumental in building the music program at Davidson – he began as the sole employee of the department, when he focused on developing student music organizations in addition to working as the college organist; as he put in a summary report in 1951, the year before he retired from Davidson, student groups were fundamental the establishment and growth of music program: “In many ways I feel that organizational work has been our most important, as it has been from these groups that the influence of music has spread on the campus and throughout the entire area.” He was a musical zealot, a tireless builder of organizations such as the music departments at Davidson and Queens colleges, the Charlotte Symphony and Jacksonville Symphony orchestras and Brevard Music Center.

Extent

1 Photographic Prints : 1 photo; 8.5x11"; black & white; posed shot of James Christian Pfohl; written on back: "Dr. James Christian Pfohl, Director and founder of the Brevard Music Center and Transylvania Music Camp, Please return"

Language of Materials

English

Repository Details

Part of the Archives of Interlochen Center for the Arts Repository

Contact:
Bonisteel Library
4000 Highway M-137
Interlochen MI 49643 USA
231-276-4384