Skip to main content

Phyllis Diller Photos

 Sub-Series

Scope and Contents note

From the Fonds:

Photography has always been important to the National Music Camp, and photos exist from the earliest years of the Camp. Beginning in circa 1944, a concerted effort was made each year to fully document camp life. A professional photographer was on site throughout the season, taking high quality, usually staged, photographs. These consisted of group shots of each of the camper cabins, and numerous individual shots of campers and instructors. These photos were developed on-site in the campus darkroom.

The campers at NMC were divided into age groups called Junior, Intermediate and High School. There was also a University contingent from the University of Michigan for many years. The sequence of negatives reflects these divisions. Two other typical divisions are General camp photos and Post-camp photos. General photos are often simply of the High Schoolers who constituted the majority of the campers at NMC, but also include more generic and candid shots of camp life. Post-camp indicates that camp had concluded, and these photos document the routines associated with closing down the camp for the summer.

When the Arts Academy began in the 1962-63 school year, the tradition of photography was continued, and similar high-quality shots were taken of the students. Theses are generally all numbered sequentially, and not divided into the four classes of Freshman, Sophomore, etc. It was around this time that the 4 x 5 large format was supplemented, and then supplanted, by the 120 film medium format, approximately 2.25" x 2.25".

Dates

  • 2018-07-27

Biographical / Historical

Phyllis Ada Driver, better known as Phyllis Diller, was an American actress and stand-up comedian, best known for her eccentric stage persona, her self-deprecating humor, her wild hair and clothes, and her exaggerated, cackling laugh. Diller was a groundbreaking stand-up comic—one of the first female comics to become a household name in the U.S. She paved the way for Joan Rivers, Roseanne Barr, and Ellen DeGeneres, among others, who credit her influence. Diller had a large gay following and is considered a gay icon. She was also one of the first celebrities to openly champion plastic surgery, for which she was recognized by the industry. Diller worked in more than 40 films, beginning with 1961's Splendor in the Grass. She appeared in many television series, often in cameos, but also including her own short-lived sitcom and variety show. Some of her credits are Night Gallery, The Muppet Show, The Love Boat, Cybill, and Boston Legal, plus eleven seasons of The Bold and the Beautiful. Her voice-acting roles included the monster's wife in Mad Monster Party, the Queen in A Bug's Life, Granny Neutron in The Adventures of Jimmy Neutron: Boy Genius, and Thelma Griffin in Family Guy.

Extent

1 Photographic Prints : 1 - 8" x10" - b&w print of Diller and Dr. Joseph E. Maddy

Language of Materials

English

General

8" x10" - print of Phyllis Diller (left) and Dr. Joseph E. Maddy (right)

Note on back of photo claims that Dr. Maddy did not know who Diller was.

Repository Details

Part of the Archives of Interlochen Center for the Arts Repository

Contact:
Bonisteel Library
4000 Highway M-137
Interlochen MI 49643 USA
231-276-4384